This camera is total BS…🤯😳😂

The new Panasonic BS1H is the full frame S1H camera in a box-camera format, nearly identical in size to its little brother, the micro four thirds BGH1!

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00:00 – Introduction
01:10 – Size comparison; BS1H vs BGH1
01:39 – Physical camera tour; buttons and ports
03:57 – LUMIX BS1H Technical Specifications
12:00 – LUMIX BS1H Sample Footage
12:31 – Rigging the BS1H

⚠️ DISCLAIMER ⚠️ I am a professional content creator; a photographer, YouTuber, filmmaker, and ALSO a Panasonic LUMIX Ambassador. This means I am SPONSORED by Panasonic and therefore am naturally biased towards their gear. I regularly state this in my videos, but in case I don’t say it, it’s still true. Thanks for watching!

► AFFILIATE DISCLAIMER : This channel is an affiliate, partner, or associate with many participating retailers and companies, including Amazon, B&H, Adorama and others. As an Amazon Associate I earn from qualifying purchases, as I do from other affiliate links.

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– PhotoJoseph

Compact and suitable for cine drones, remote setups, and expandable for cine work as well as multi-camera broadcast work, the Panasonic Lumix BS1H Full-Frame Box-Style Live & Cinema Camera is a modular digital cinema camera with a small form-factor that bellies its full-frame sensor. It features a 24.2MP sensor, a Leica L lens mount, and a wide 14+-stop dynamic range to accommodate extreme lighting changes when recording in V-Log. It records video with resolutions up to 5.9K as well as C4K (4096 x 2160) and UHD4K, and it incorporates VariCam Look workflows.

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The camera features dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny camera that make it the go-to production camera in any mobile and multi-camera production environment.

The BS1H provides multiple ways to record your footage to high data rate files in the ALL-Intra LongGOP, MOV, and MP4 recording formats with H.264 and H.265/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera’s dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via SDI. The camera allows you to output via HDMI and SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates for high-quality, slow-motion video. Custom 3D LUTs can be uploaded into the camera, using the SD card slots.

The BS1H is also an ideal camera for multi-camera environments, not only because it’s highly mobile, but it includes timecode and genlock BNC ports, so you can sync it with other cameras to make syncing in postproduction easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BS1H cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet, using the LUMIX Sync app. Another function integrated into the BS1H is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BS1H cameras. Audio features include high-grade 48 kHz/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic/line-level input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized, using the camera’s integrated hot shoe, allowing you to record with professional microphones.

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Its compact body measures less than 4″ square and weighs only 1.3 lb, so it can be used on gimbals or drones for high-quality, stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features 9 x accessory mounting threads for mounting onto a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing as well as tally lights on the front and rear. You can power the BS1H using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment.

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  1. Please do comparison of BS1H vs A7SIII vs FX3

  2. S1H is the best dlsr sized cine quality camera. This one is an excellent addition to the family.

  3. First time seeing this channel. I dont think you have enough camera stuff 🙂

  4. How much did your total system cost at the end?

  5. Hi, how rich are you? that's a lot of equipment.

  6. “ *This*… Is the longest intro”…. “ *This*… Is not getting to the point”…. “ *This*… had me lose interest”….

  7. Is this one limited to 1080/3G output over SDI as well 😢

  8. so much tech and yet the sound is weird

  9. I would rate the Nikon D850 as the biggest pile of Fecal Matter.

  10. Wait so these are basically POE cameras 🤣

  11. Borderline clickbait.

  12. I like your vids. I'd still pick BGH1 camera -especially for those who already have a speedbooster for mft

  13. I'd go for the Boxy styled camera body anyday.

  14. This video is BS.

  15. It's a shame they limited the internal output so much.

  16. Click bait title .. …. anyone that posts a fake headline .. is untrustworthy ..

  17. 😆

  18. Emmet (Hyenix Media)

    That buzzing is really fucking distracting

  19. All I want from Pana is a global shutter MFT

  20. 🤣 actual click bait I really enjoyed.

  21. Nice lipstick…oh, it's Panasonic 😀

  22. Thanks Joseph! Very comprehensive and excellent review! Fooled me good with the title, hehe! Subscribed! I love my Panasonics. Best Wishes ✅

  23. You've got some sort of audio interference or something theres a buzzing noise

  24. How is it in the heat under the sun that's where most of my work is done

  25. YOU! ohhhh You!

  26. Am I seeing things? There appears to be a heck of a lot of noise in that sample footage and it aint pretty